Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Willim Henry Fox Talbot
Leaf with Its Stem Removed

ID: 38927

Willim Henry Fox Talbot Leaf with Its Stem Removed
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Willim Henry Fox Talbot Leaf with Its Stem Removed


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Willim Henry Fox Talbot

British, 1800-1877   Related Paintings of Willim Henry Fox Talbot :. | pappersbonad | Portrait of a Horse | Birth and Naming St John | Timothy Matlack | Miss Martha Carr |
Related Artists:
Abraham Diepraam
1622-1670 Dutch Abraham Diepraam Location
Barna da Siena
Italian Painter, active ca.1350 Barna da Siena, also known as Barna di Siena, was a Sienese painter active from about 1330 to 1350, and was the painter in Siena during this period. He learned his trade from Simone Martini. Barna is believed to have paint the frescoes depicting the life of Jesus in the Collegiata di San Gimignano and is generally credited with Christ Bearing the Cross, with a Dominican Friar in the Frick Collection in New York City. He was killed in a fall from the scaffolding. Barna's figures are more dramatic and vigorous than any in previous Sienese painting.
Conrad Witz
1400-1446 German (Resident in Switzerland) Conrad Witz Gallery -6). German painter. One of the great innovators in northern European painting, he turned away from the lyricism of the preceding generation of German painters. His sturdy, monumental figures give a strong impression of their physical presence, gestures are dignified and the colours strong and simple. Even scenes with several figures are strangely undramatic and static. The surface appearance of materials, especially metals and stone, is intensely observed and recorded with an almost naive precision. Powerful cast shadows help to define the spatial relationships between objects. His fresh approach to the natural world reflects that of the Netherlandish painters: the Master of Fl?malle and the van Eycks. He need not, however, have trained in the Netherlands or in Burgundy as knowledge of their style could have been gained in Basle. He remained, however, untouched by the anecdotal quality present in their art, while Witz pure tempera technique differs emphatically from the refined use of oil glazes that endows Netherlandish pictures with their jewel-like brilliance.






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